Nigerian Artistes Make Ghanaian Artistes Look Like Feeding Bottle Artistes – Shatta Wale claims while congratulating Asake
In a recent Twitter outburst, Ghanaian dancehall sensation, Charles Nii Armah Mensah Jr., better known as Shatta Wale, stirred the pot of cross-border music rivalry by expressing his admiration for Nigerian musicians and their skyrocketing success. Shatta Wale’s statements came as he congratulated the emerging Nigerian artist Asake, who made history by selling out the iconic O2 Arena in London, UK. However, Shatta Wale’s comments also highlight the increasing disparity in achievements between the two countries’ music industries.
Shatta Wale, who has had a significant impact on the Ghanaian music scene, didn’t hold back when comparing the music industries of Ghana and Nigeria. He likened the Ghanaian music industry to a “feeding bottle” in contrast to the Nigerian industry, which he referred to as a “Hennessy bottle.” The vivid metaphor painted a picture of how he perceives the success and stature of Nigerian artists in contrast to their Ghanaian counterparts.
Nigerians are making Ghana music look like feeding bottle compared to henessy bottle 😂🤣. Congrats to asake meeenn!!!
You guys deh run tooo fast …Fuck 🤣🤣🤣
PS : Some Ghana man say how do they do it ..
Me: when you stop judging people here like you are angels ,I think we…
— SHATTA WALE (@shattawalegh) August 21, 2023
The Ghanaian artist’s words ignited a firestorm of reactions from music enthusiasts and industry stakeholders across both nations. While some Ghanaians agreed with Shatta Wale’s sentiments, acknowledging the undeniable rise of Nigerian music on the global stage, others defended the unique qualities of Ghanaian music and expressed hope for its continued growth.
Shatta Wale’s claim wasn’t limited to congratulating Asake; it delved into a critique of Ghana’s music ecosystem. He suggested that part of the reason for Nigeria’s music industry success could be attributed to a more open and supportive environment, coupled with artists’ unity. He also hinted at the necessity for Ghanaians to be more accepting and less judgmental of each other in order to foster a stronger music community.
While Shatta Wale’s words might have sparked controversy, it’s undeniable that Nigerian music has made significant waves internationally in recent years. The likes of Wizkid, Burna Boy, Davido, and others have not only gained substantial recognition but also collaborated with global superstars, propelling Afrobeats onto the global stage. Their achievements have set an impressive standard, making it challenging for neighboring countries to match their pace.
The comments from Shatta Wale shine a light on the complexities of the music industry, not only in Ghana and Nigeria but across the African continent. The rivalry and healthy competition between these two nations continue to drive artists to excel, ultimately benefiting both the musicians and the fans. As the music scenes in both countries evolve, the discourse sparked by Shatta Wale’s statement reminds us that artistic success is often a combination of talent, innovation, collaboration, and, at times, a dash of friendly rivalry.
